Welcome

Welcome to my self-indulgent location for the stories (good and bad) that I can't prevent myself from writing. All comments and criticisms welcome. I post on Tuesdays and Saturdays.
Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Monday, September 12, 2011

Interview with Will Boast

I've recently had the pleasure of reading Power Ballads, a collection of short stories by Will Boast. I'm very excited to welcome Will to talk to us today about his new collection—now available—and life in general. Stop by on Friday for my review of the collection. But first, a brief introduction.

Photo courtesy of willboast.com
Will Boast was born in England and grew up in Ireland and Wisconsin. His story collection, Power Ballads, won the 2011 Iowa Short Fiction Award. His fiction has appeared in Best New American Voices 2009, Narrative, Glimmer Train, The Southern Review, The American Scholar, and Five Points, among other publications. From 2008-2010, he was a Stegner Fellow in fiction at Stanford University, and, this fall, will be a Charles Pick Fellow at the University of East Anglia in the UK.



So, without further ado, I'd like to welcome Will Boast.

Rosie: Congratulations on winning the Iowa Short Fiction Award. Can you tell us about the process of your being considered and how you found out about the award?

WB: Thanks! The Iowa Short Fiction Award has been around for about twenty-five years and, along with the Flannery O'Connor Award, is considered one of the most prominent book contests for story collections. In my experience, readers of literary fiction love short stories, but the publishing world, mostly based in New York, perceives them as a tough sell to a larger audience. (Mention your story collection around an editor or agent and watch how fast their eyes glaze over....) My agent felt that trying to publish my stories wouldn't be a good first step for me, so I decided to take matters into my own hands. I got lucky, because the Iowa Award was the very first place I sent my manuscript! The nice thing about the Iowa Award is that it's read blind and is juried and judged by writers. So, their primary concern, really their only concern, is the manuscript itself and whether it's a good and satisfying read.

Rosie: Which authors would you say have most influenced your writing? In what ways?

WB: Tough question! A few years ago I discovered (along with all the rest of the American reading public!) Roberto Bolano's novels and stories. I haven't tried to emulate him--because mimicking such a distinctive writer is probably a bad idea--but I love the way he creates an alternate world for himself in which all of his fiction takes place. His world is populated with writers and poets (mostly failed, failing, and distinctly minor writers and poets), some real, many more invented. So maybe I borrowed that approach for Power Ballads, but reduced the size of the world to something more like Sherwood Anderson's Winesburg, Ohio

Rosie: Your short stories focus on different aspects of the life of musicians. What made you want to write about the music industry?

WB: I spent a couple years in Chicago playing music, going to see shows, working with musicians, and drinking with musicians. In college, I played a lot of music (too much, really), and when I moved to San Francisco, I became involved with the music scene here as well. The musicians I've met have all been dreamers, and their desires and obsessions almost always put them in compromised positions--financially, artistically, romantically--even the ones who have ended up having a lot of success. I knew that, for the most part, I didn't want to write about rock stars, because I find that story pretty boring. The musicians I most admired were the obscure and deeply uncool ones, and I wanted to write a sort of fan letter to them. That said, I don't really think of Power Ballads as ultimately being about music or musicians. Music is maybe just the way, the entry point, to address other things.

Rosie: Several of the stories in Power Ballads revolve around two characters, Tim and Kate. Have you ever consider expanding their story/stories into something longer? More of a novel format? In fact, 7 of the 10 stories directly or indirectly revolve around Tim and or Kate's lives. Why did you decide to include these stories in this collection, instead of focusing more or less on Tim and Kate?

WB: I think that Power Ballads is that longer thing! I'd been thinking about writing stories about journeyman musicians for a while and had a couple stories that more or less fit that bill kicking around. It was somewhat accidental that Tim found his way into as many stories as he did, and Kate came in even later. It seems like a story often has a life of its own, and you just end up following whatever thing seems the most vital or interesting or fun at the time. That said, both Tim and Kate appeared in "The Bridge," one of the oldest stories in the book. Something about Tim as a narrator continue to resonate for me, and several more stories revolving around his obsessions and short-sightedness ended up coming out in fairly quick succession.

Rosie: What other kinds of projects do you have lined up?

WB: I'm working on a novel and a memoir. I'm also trying to make a start in narrative journalism.

Rosie: Where else can we read your work?

WB: There's a list of publications and links to online stuff at willboast.com. Recently, I've had stories out in the American Scholar, the Literarian, Narrative, and ZZYZZVA.

Rosie: And a random question, just to keep you on your toes: If you could be any insect, which one would you be and why?

WB: Not being the most insect-friendly of people and despite the fact that getting stung is a bummer, I'd have to say a honeybee. No other insect goes to such obsessive extremes of behavior--forming a colony, building a hive, making honey, serving the queen. As a bee, you'd know your place in the world, and you'd get to feel useful.

Thanks so much, Will, for joining us today. If you're interested in Will Boast's book, again be sure to stop by on Friday for a review of Power Ballads or click on the link below.

Thursday, September 8, 2011

First Campaigner Challenge

I normally post MWF, but we're heading out of town tomorrow, so I thought it would be best to put this up now. I won't have any post tomorrow.

As I'm still struggling with my writing mojo, I'm not sure if I love this flash fic or not, but here goes nothing. It's exactly 200 words (yup, I'm a geek like that.)

As always, I'm open to any and all comments you may have. And thanks in advance for reading.


The door swung open, and Samantha stared into the darkened study room. She'd planned to meet her friends here at seven before grabbing dinner. Just the three of them. No crowds, no hoopla. Just dinner and quiet company.

But the room was black, empty.

Something felt wrong. Lewis was as punctual as a tightly wound watch, and Cheryl thought "late" meant arriving twenty minutes early. So where were they? Her imagination whirled. Had someone or something attacked them?

Was it still there waiting for her?

Inside, carpet fibers rustled. Samantha narrowed her eyes, searching in the darkness while refusing the cross the threshold. What made that noise? What was in there?

It felt wrong.

While her impulses told her to run, her feet wouldn't move. Curiosity plucked at her attention. Against her better judgment, she reached inside for the light switch. Blinding florescent lights flickered to life.

"Surprise!"

Swear words ran through Samantha's mind as hands gripped her arms and dragged her inside. She spotted Lewis and Cheryl at the center of the crowd. She had felt more comfortable thinking her friends were hurt.

Trapped. Now she was trapped. She glanced around, searching for an escape.

The door swung shut.

Monday, April 18, 2011

Ordinary (#atozchallenge)

Welcome to today's post on the A-to-Z Blogging Challenge. My challenge, as I have chosen to accept it, is thus: I have asked on my Facebook and Twitter accounts for people to contribute random words beginning with today's letter. From Random.org, I have selected one of these words, and will below challenge myself to connect said word to writing.

For the letter O, I received 32 suggestions. Random.org selected number 4: ordinary.


Ordinary

As writers, we want—no, we NEED—our work to be extraordinary. We need to avoid the slush pile and make some agent take notice. We need to catch the eye of a publisher. We need to make the public notice us and buy our book. It calls for lots of footwork, both physical and virtual, to accomplish these tasks.

So, how do we do that? Can we just write about the most extraordinary characters we can think of, put them in the craziest situations that come to mind, make the writing as flamboyant as possible, and hope that we get someone's attention?

Am I alone here in thinking "no"?

Sometimes the best writing is the simplest.

Sometimes the most compelling characters are the ones who seem the most ordinary.

Why is that? Why is it easier for me to relate to some lazy high school girl who makes the teachers think she's smart when all she does is watch TV and read for fun when she goes home, or hangs out with her friends? *cough* Because I've been (something) like that. This doesn't mean that I can't relate to a forty-something man, or a five-year old who's never left a room (who's read that?), or an eighty-year-old dementia patient. It's more like I can't relate as easily to the five-legged superhero who always wins and gets the girl/guy and has super flame-throwing vision and...

You get the idea.

The best hero is the anti-hero. Jane Doe, with all her faults and quirks and the little things that make her human.

What kinds of faults do you give your characters? If you write genre fiction and your characters aren't 100% ordinary, how do you make them feel ordinary to the reader?

Monday, March 21, 2011

Vote for Your Favorite Story from the HONE YOUR SKILLS Blogfest

First, I want to thank EVERYONE for participating in the Hone Your Skills Blogfest on Wednesday. This was the first blogfest either Charity or I have hosted, and I think it was a great success. All the stories were fantastic, and showed a diversity in styles and genres, as well as a love of writing. So THANK YOU to the writers, and THANK YOU to everyone else who visited the different stories to leave your comments.

As a part of the blogfest, Charity has kindly donated a $20 gift card to Amazon for the top story among our participants. Charity and I have chosen our top 5, and now YOU!! get to vote on your favorite. Just click on the name of your favorite on my side bar.
And now, before announcing the top favorites, thus forcing you to scroll down through ample paragraphs of my own waxing philosophical, I will discuss the benefits and disadvantages of...

(Charity): Psst.

(Rosie): What?

(Charity): Maybe you shouldn't make the people wait.

(Rosie): It's really important.

(Charity): Watch your adverbs.

(Rosie): *sigh* Right. Okay...


Rosie and Charity's Top Five Picks from the HONE YOUR SKILLS Blogfest, in no particular order:

"Reasons" by Cleveland Dietz II

"Never Hit a Woman" by Margo Kelly

"Untitled" by Teralyn Rose Pilgrim

"Esperanza" from Pawny's Pen

"Driving Me Crazy" by Jane Isfeld-Still


Make sure to vote for your favorite on my side bar. Voting will run through NOW! until 11:59PM on Thursday, US east-coast time. I will post the official winner on Friday (although my post may go up a little later than my normal 7AM, as I expect to be asleep by midnight).

Thanks again to everyone, and be sure to vote!

Saturday, September 18, 2010

Emotions Recap

Thanks to everyone for participating in my forum earlier this week, and my apologies for not getting results up sooner.  The week slipped away from me again.  Pesky days!

The question was: as writers, where do we mine our emotions?  From ourselves? From others?  If from others, why don't we work with our own?

You gave me lots of good responses, a number of which said that emotions came from inside and outside of themselves.  This makes sense, of course.  I think it would be impossible for someone to write completely outside of their own emotional experiences.  Of course, some of the physical experiences are beyond us (as Hart said, she's never randomly found a dead body even though she's writing her cozy), but that doesn't prevent the emotions from being real.  They just come from somewhere else.

One of the things I tend to worry about in my writing is that people will automatically assume it's autobiographical in some form.  (Random connection:  Has anyone read "The Young Painters" by Nicole Krauss in the 20 under 40 issue of The New Yorker?)  So I tend to try pulling from other experiences so that I can be more assured when fighting against those comments. 

Beyond outside criticism, using our own experiences does mean dealing with those feelings and emotions.  As j.leigh pointed out, that can be extremely difficult for us, throwing our real pain into our writing.  If I did more of that myself, I don't think I would ever finish a piece because I would be too angry or crying too much to get the words onto the page!  It doesn't make the emotions we use any less real, but it gives us more of an external position from which to approach them.  And as Amanda said, with time, using our own emotions and experiences can become less frightening.

Finding emotion everywhere is vital, since we've only lived in our small worlds.  But we shouldn't be afraid of using our own.

Any other thoughts?  Did I miss anything?

Monday, September 13, 2010

Where Do Your Emotions Come From?

Okay, so I was inspired by a comment from Amanda on my Real World Writing post from last week.  She wrote:

It's impossible to create a compelling piece of fiction without the real world. Even with fantasy, one HAS to write in real emotions and human issues. Too often, though, people look to other people's issues instead of their own.

Everything she wrote is 100% true (imho).  But the last sentence made me pause.  Why is it that people look so much beyond themselves to find emotions and stories and don't look inside?

I open this question up as a forum.  I have my own ideas, but I'm going to save them until later in the week.  Do you agree with Amanda?  Or do you think writers use more of themselves and less of everything around them?  Or do you think writers pull their ideas from thin air?

Inquiring minds and all that....

Friday, August 20, 2010

Taking the Initiative

Change scares the toe-socks off of my poor little feet.**  I like consistency.  I'm not spontaneous.  I'm bordering on OCD control-freak.

Aren't you glad you follow me? Heh.

So one of my most nerve-raking experiences came a few weeks ago.  And before I tell you what I did, please know that this was an educated decision on my part, two to three years in the making.  It was not rash, and I'm pretty sure I have burned no bridges.

I told my adviser that I don't want to take my PhD exams, I don't want to write a dissertation, and I would much rather be able to spend my time writing fiction.

After much promise to help me through the writing process, giving me no less than four possible dissertation topics, and suggesting the difference in employment opportunities between having a Masters and a PhD, he said, "I'm fighting because I hate to see you go.  It would be insulting if I just said, 'Sure.  Okay.  Good luck.'"  Annoyed as I might have been through the whole discuss, I appreciated his efforts to keep me around.  He's been a great adviser for the past few years, incredibly supportive, pushed me to go beyond where I thought I could go, and got me opportunities I didn't think I could get.  I'm grateful for all of those things in ways I don't think I could express to him.

But, with all of that support and all of the push, I've learned a lot about myself.  I've learned that many of my boundaries are self-imposed, and I feel I can better recognize the ones that are real and the ones that aren't.  And I have a drive toward something I love that I didn't know I had.

So, toward the end of the meeting when he said to me, "There are creative writing class you could take..." and continues to tell me how he knows the prof and could take to him to see if I could take the class, I should have been elated.  But I balked.  Why?  Well, it was a 600-level MFA course.  MFA students go through a rigorous process to get in, submitting portfolios and publication references, etc.  It wouldn't be fair for me to walk in, sit down, and say, "Well, I published a short story in my HS writing magazine in 1995.  I'm also working on a novel, but the professionals who have seen it haven't even seen the first 10K."  Can we say "instant resent"?

But it got the idea in my head.  I began hunting through the English department's course offerings for the fall semester, and found a 200-level course—the only prerequisite being E103, or Writing for Those Who Didn't Learn How to Write in HS—on creative fiction.  Of the four or five section, one had one available slot.

So I emailed the contact to get permission to take the course, despite my lack of "How to Write a Thesis Statement" course.  As of about 3:00 this afternoon, I am officially registered in an intro to fiction writing course with a bunch of 19 year olds.

But the bottom line is, I can hear my knees rattling.  Nerves are a beautifully annoying thing.  I'm not sure what's making me so concerned about it, since the last time I took a writing class was 1999.  I can certainly use the pointers.  I want to write more short fiction to have SOMETHING to list in a query letter for publications.

It's just change.  There's no good reason to be afraid of change, except for the unknown.  That's where I'm at, folks.  Wish me luck!

And wish me luck if I don't get in, too.  I need to find three more hours of something remotely interesting to take this semester :)


How do you deal with change?  What kind of leaps-of-faith have you taken for your writing?



**Disclaimer: My feet are far from little, and I long ago got rid of all my toe socks.  My wearing them was said to scare small children due to my overly large second digit.

Thursday, July 1, 2010

Eat Pray Love - Part 1

I've decided to join an online "book club" for the month of July.  Well, I'm not sure book club is the correct term.  Together, we're reading Eat Pray Love by Elizabeth Gilbert over the course of the month.  First, I'd like to thank The Book Vixen for organizing this.  I've been wanting to read this for quite some time, and I'm happy to have the push.

Five times this month, our dear Vixen will post questions pertaining to the book.  I'll respond here, so you can read my thoughts (I make no promises for deep and insightful comments), and I'll back to the Vixen's page with my post.  Maybe I'll even get a little more foot traffic. :)  Chances are good that *I'll* end up adding another 10 blogs to my reading list....

So, to kick it off, here are today's questions:

What have you heard about it? 
Two very important women in my life have read this book (yes, you both know who you are) and have had quite positive things to say about it.  They both follow my blog, so I hope they'll join in the discussion.

I actually met another woman this morning who happened to be in the office when I picked up the book.  She got so excited talking to me about it, asking if I would finish it before the movie, etc.  It definitely helped raise my excitement level (not that it needed much help).

What preconceived notions do you have of the book as a first time reader?
I don't think I really have any, except that I should enjoy the read.  I haven't met anyone who's read it and not liked it.

What do you anticipate going into it? I'm not sure.  That it will make me hungry, make me want to focus on my spirit more, and make me appreciate the love that I have.

A little corny, huh?  Oh well.

Why do you want to read it?
Why not?  It's good for the soul. :)

Okay, I'm off to get started now.  Anyone else who wants to read along, the plan is to finish the Eat part by July 11.  Happy reading! 

Sunday, June 27, 2010

Characterization

 I'm currently working on numbers 3 and 5 on the suggestions from My Personal Goat Goddess and there's a minor problem:  I'm getting bored.  It's horrible.  I feel guilty.  I love these characters, even with as much work as they need.  But, in writing the correspondence between A&M or trying to write some events from M's POV, I find myself wanting to yawn.

I have to remind myself that most of this will never be seen by anyone but me, and it's not about forwarding a plot, but simply about who they are.  And who out there is exciting and interesting all the time?  Feel free to raise your hand.  It's definitely not me.

But even with that reminder, I'm finding it hard to stick to the course.  I'm not excited about the introductory letters.  It's helpful (I know!) because it's laying out so much background information that is important to both of them, plus it's doing it in a semi-"active" way.  I've also been trying to skip around a little, hitting some of the landmark letters that get mentioned throughout the story, and those seem to be just as hard, even if they're not quite as boring.

Writing M at 14 when he receives the first letter is difficult because I have never been a fourteen year old boy (and I don't think I liked them much when I was 14).  Maybe I need to spend more time with my nephew...

No one said writing would be easy.  If it were, everyone would do it.  And if everyone did it, then we'd all still be riding horses, fighting dragons, reading by torch-light over a good glass of mead.

But who would make the mead?

How do you handle long tasks that are boring or frustrating?  They all need to get done eventually.  What tips can you share?

Friday, June 18, 2010

Experiment

Hook your reader.  That's the key, right?  How do you do that?  That is the question.

The answer:  QUICKLY.  Nathan Bransford—agent extraordinaire—critiques the first 250 words of the ms (here's a sample of the last one).  He does this every Monday (although, this week he'll be critiquing a query letter).  But what are the odds of your 250 words being selected?  Oh, so slim.  So, as an experiment, I'm posting the first 254 words of a story that's been knocking around in my head for months (at least).

I encourage your comments.  Either comment below or shoot me an email.

And, as always, thanks for reading.

----------------------------------------------------
Title:  The Demon Inside
Genre:  Adult Fantasy (vampires and werewolves and demons, oh my!)


Her eyes snapped open.  A muffled alarm was beeping somewhere, drawing her attention into consciousness.  She blinked several times in the dark, suddenly unsure that her eyes were open.  Am I blind?  She raised her right hand carefully in front of her face.

A thin, metallic reverberation echoed loudly around her as her hand hit the… ceiling?  Instead of worrying about her eyes, she turned her hand and laid it flat against the cold metal only inches above her face.  What the hell…?  Feeling the panic pooling inside of her, she reached her other hand to the left.  It had hardly drifted away from her body before resting against the cold metal wall.

She quickly calculated: six inches above, three or four inches on the sides.  A metal coffin?

Panic and adrenaline took over.  She considered trying to kick the bottom out, trying to punch the metal above her, slamming both her hands behind her head.  Anything to get her out…. if that were at all possible.  Since she couldn’t see anything, including her hand directly in front of her face, her cell must be tightly sealed. 

How much oxygen did she have?

She reached her hands over her head, feeling the metal, judging the distance, mentally preparing herself to slam her fists into it when she heard the noise.  She froze.

“But how do you know?”  It was a woman’s voice, oddly familiar.

“She can’t be dead,” a man responded.  “And we have to get her out of here before the autopsy tomorrow.”

Sunday, June 6, 2010

Short Story Interlude

A few days ago my husband challenged me to write a story without dialogue.  This, to me, seemed virtually impossible.  I spent hours going about my day while the wheels continuously cranked in the back of my mind.  Come evening, I had an idea.  It made me laugh, but I couldn't resist.  It's not 100% dialogue-free, but for my first attempt, I think it's respectably minimal.

So, here it is.  As always, comments and criticisms are all welcome.


The Temptation of Cinderella

Alone.  I had to be alone.  Other people didn’t understand.  My mother just thought me masochistic.  My husband thought it was a waste of time.  And the kids?  Why would I bring them along on my hunt?  Besides, who was I to prevent them from developing their social skills in daycare?

Well, in all honesty, I wasn’t alone at all.  There were hundreds of people all around me, not paying any attention to me, going about their personal business as if no one were paying attention to them.  But that wasn’t exactly true.

I sat on the bench, the wood digging into my thighs and my back from my two hours of inactivity.  The pot of tiger lilies next to me made my nose tickle.  The cola sitting on the bench next to me had made a puddle of sweat at its base that was slowly drifting toward my shorts.  The discomfort seemed to fit, considering this was work for me, sort of.  And no one is ever entirely comfortable in a mall—especially a mall that caters to patrons who believe that such locations are beneath them and only send their servants there to buy hand lotion for $72.50 per ounce.

But today it hadn’t been entirely worth it.  The mall was almost entirely empty.  Stupid recession…  I had sat here for two hours already, watching the people pass, looking for someone interesting, some interactions, some noteworthy dialogue that I could incorporate into my writing.  But my notepad only had three lines of transcription this morning.

Tired of being bored, I picked up my sweating paper cup, slipping slightly in my grip, and headed toward the exit.  I rubbed my sore thighs, sure that there were visible engravings there for any passerby to see.

As I neared the exit, though, something flickered, winking at me through the storefront window.  Dropping the slick cup in the trash, I let myself be sucked in by its eager twinkle.

If I were one of my children, I wouldn’t have been able to help myself from pressing my hand and face directly into the glass.  They were exquisite, this single pair of chunky high heels, sitting on a small, sleek, white pedestal—where they belonged.  The dual greens wove in and around each other to form a strap just above the toe.  Another strap grew like ivy around the heel before strangling its host around the ankle.

I had felt the lust for material things in my life before, though I’d recently tied everything to keep myself away from temptation.  But these!  These miraculous heels!  My blood pressure pounded in my ears, my whole body reacting and demanding that attention be paid to their goddess-like presence.

The tiny, rational, annoying voice—meek as it felt at this moment—chirped in the back of my mind, reminding me of how impractical it was to wear a pair of three and a half inch, dual shaded green chunky high heels while chasing after a two year old girl and a five year old boy.  I had enough trouble keeping my balance barefoot or in sneakers.  I’d be lucky if I only broke my leg.

My adrenaline screamed, telling that meek little voice to pipe down.  I felt my hands shaking, imagining the feel of the soft leather coursing under my fingertips.  I breathed in deeply, trying to catch the smell of a virgin shoe straight from its box.  The glass between us was the only thing preventing that sweet aroma from reaching its destination.

I took one step toward the door, taking me the same distance away from my personal binary stars.  I felt them tug at me, refusing to let me go, even though I was trying to go to them.  My feet fled swiftly, carrying me along the gravitational trajectory, until I was close enough to reach out and touch them.

But I hesitated.  They were so beautiful.  They didn’t deserve even the slightest smudge of a human fingerprint.  I needed gloves made of a material no less gentle than silk.  But the pull of their electromagnetism was more than I could handle, and I reached out…

“What size?”

I jumped, my obsession interrupted by the mundane of other people.  The girl was half my age, wearing too much makeup and too-expensive clothes for barely being on the cusp of graduating high school.  Her perfect chestnut hair was haughty in its own expensive styling, and her boredom reeked of old money and the resent she had toward her parents for making her work.

I told her my size and she disappeared.  I gazed at the display pair for much too long, imagining those ivy vines snaking their way around my ankles and never letting go.  The thought of actually having these shoes for my very own threw my heart into an arrhythmia. 

The girl returned, the boredom still painted in bold colors across her forehead, and she waited for me to take a seat before handing me the box.  The pulsing vibrations from the cardboard sent shivers down my thighs to my expectant feet.  I slowly lifted the frail lid to revel the gems beneath.

And there they were, perfect and untouched with the same virgin-shoe smell I had imagined through the glass.  Desperately wishing for the special shoe-handling gloves that didn’t exist, I tentatively reached into the box to extract one of the two most perfect shoes ever made.

After asking me if these were the correct style, she took the box back from me and removed the shoes.  She handled them roughly, as if they were rabid dogs on their way to be euthanized.  I wanted to yell, to tell her to handle these beautiful creatures with the respect they deserve, but I kept my mouth shut because, before I could formulate any angry words, one perfect shoe was being slipped onto my foot.

The satin-lined sole slipped along the bottom of my foot, tingling, making my breath shudder in ways that didn’t normally happen in public.  The girl laced the strap around my ankle, forming an everlasting bond between foot and shoe.  And I knew they had to be mine.

“How much are they?” I asked.  But her look was enough of an answer: if I had to ask, they were too much.  I stared at the perfect green accent to my long legs, and realized that I didn’t care.  It didn’t matter how much they cost.  I could go days, weeks, a month without food.  I would get another part-time job.  I could convince my husband to work overtime.  But I had to have these shoes.

She laced the other shoe onto my left ankle, and we had become one.  I stood, hesitant since I hadn’t worn anything this tall since I got pregnant the first time—enough time that my boy would be starting kindergarten in the fall.  Slowly, worried about how unsteady my ankles would be in front of this ungrateful shop girl, I reached full standing position. 

The shoes emanated their splendor, engulfing me in their glow.  I stood tall, confident, poised, feeling more beautiful than I had in years.  I took a small step, concerned about my balance, until I realized that these luxurious shoes would never let me fall.  They cradled the arches of my feet more tenderly than a newborn.  I strode toward the mirror, all but ready to toss my hair over my shoulder if it weren’t pulled back in a messy ponytail.

The image I found staring back at me would have made me laugh if I hadn’t been basking in greatness of the most sensuous sandals.  My cotton tank top had a stain on the left strap.  My shorts were long and flared in that way that mothers’ shorts are, but also coated in dog hair.  There were loose strands of delinquent hair fell on my shoulder.  I turned around and could see the slat marks from the bench on my thighs.  And then, there were the phenomenal strappy shoes.

The only thing that made this moment less than perfect was that I knew I would have to take them off to buy them and take them home.

Until we were at the cash register.  The total, with tax, was $634.72.  I gawked for a moment too long while the bored child stared at me.  I swallowed, burying my inner miser, and pulled out my credit card.  It would be worth it, in the end.

She asked me if I would like the little, pale blue receipt in the bag.  I shoved it deep in my wallet instead.

                    *    *    *    *

I went home.  I should have picked the kids up from daycare, but I wasn’t ready for them yet.  I needed the extra time alone with the new amazing extension of myself.  I stood in front of the full-length mirror, examining my new and improved, sexy self, stripped down to my underwear, the new shoes, and a pair of thigh-highs.  The exhilarating thrill of my purchase surged through me, extending the confidence and beauty I had felt in the store, compounded with the sexiness now.  The angle of my ankles made my legs longer, made my ass tighter, and made me feel like a jaguar.  How was it that a shoe could erase the extra fat and stretch lines from two children from my vision?

I glanced at the clock.  It was close to one, but I knew my husband always took a late lunch, seeing as there was no need to eat before one or one-thirty if he didn’t get to work before nine-thirty.  I picked up the phone and called him, inviting him home for “lunch”.

While I waited, I begrudgingly unraveled the loving straps from my ankles, slipped the satin sole along my foot, and placed the shoes back in their box.  I hid the box under the bed, behind the toys and slippers and dust bunnies.  It wasn’t that I didn’t want him to know.  It was that they were mine.

My feeling sexy, however, did not disappear after stashing the shoes where they were safe.  Confidence bounced with the electrons throughout my body from cell to cell, electrifying even my toenails.  But patience… the shoes did not imbue me with patience.

So when he got home, I was waiting for him, standing in the laundry room between the garage and the kitchen in nothing but underwear and the thigh-highs.  His appearance threw an extra spark into my already dangerous electricity.  Before he could take off his shoes, before he could ask me anything, before he even said hello, I grabbed him by the collar and shoved him against the washing machine, holding him in place with my pelvic bone, devouring his lips and unbuttoning his shirt.

“Where’re…?” he managed to inhale as I took a second for air.

“Dayc’r.”  I couldn’t even wait long enough to complete the entire word.  I whipped off his shirt, threw his belt aside with a clatter against the white-painted metal.  Holding his belt loops, I started pulling him backward, through the kitchen and down the hallway.

Even though I had called him, through it all I felt like something was missing.  It wasn’t until the orgasm was beginning to blind me, my head tossed back, noises in my throat that the neighbors surely heard if they were home, when I realized.  As my eyes began rolling back into my head, I caught a glimpse of my feet, flailing above us.  I knew exactly what was missing.

                    *    *    *    *

I found something in the refrigerator that he could eat while driving, and he rushed back to work, already having taken much longer than allowed.  Alone in the kitchen, I leaned my shoulder against the cool fridge door.  I was at a crossroads.  I could either pick up the kids from daycare, or I could spend a little more time alone with my new babies.  The options tore at my chest, fighting between themselves in an unending war.

A mediator stepped in, negotiating the truce between the sides.  The budget reminded me that the longer I left the kids at daycare, the more we would have to pay.  Knowing that there was a pale blue receipt in my wallet with the total of $634.72, I dressed quickly in my typical mom garb, grabbed my purse with that heavy receipt, and trudged to the car.

As I crossed the town, I rolled down the windows, letting the wind help to sober me after my high from shoes and sex.  And sober me it did until the world became much more clear.  Every time I stopped at a light, I would glance down to my right at my enormous mom-purse.  After the second or third time, I noticed that it was growing.  The huge pale blue receipt was swelling in size and weight, the stitching pulled taut, pushing the seams of my purse to extremes when it was already overloaded with a mommy rescue kit.  At the sixth light—why were there so many goddamned lights, anyway?—the zipper sprang apart, and the engorged pale blue receipt fell out onto the seat.

I stared at it, my blood beginning to boil under my skin as it mocked and taunted me, until the car behind me honked in irritation.  I sped forward, so distracted by that skinny piece of paper, confused by how it could weigh so much.  Turning left across traffic, I went a little too slowly, bewildered and angry enough that I forgot what the proper acceleration should be, and got honked at again in the midst of screeching tires.  Finally, I pulled into a parking space, threw the gearshift into park, and stared at that fucking little piece of paper.

It stared back, a macabre sneer spreading around it, formed by those five digits, period, and dollar sign, aided by the original price of the shoes, the amount of tax, the date, the time, the store number.  It cackled at my sobered mind, the one that remembered that we still had credit card debt and owed my in-laws money for helping us pay our hospital bills from when our daughter was born.  It heckled me and my work, reminding me that I hadn’t sold a story in months, that I couldn’t be a decent writer if I didn’t earn enough to pay the bills. 

But I had bought these shoes.

As the tiny set of red shiny horns emerged from the top of the receipt, I tasted venom on my tongue.  I realized how stupid I had been to do something so impulsive when we’d had to take out an advance on that very same credit card, already riddled with debt, to make our last house payment.  I grabbed the pale blue receipt, squeezing it between my fingers until it whimpered, reminding it that I was the only human here.  It wasn’t animate.  The laws of nature denied it the rights to mock me in my guilt.

The numbers put themselves back in order.  I shoved the pale blue receipt back into my wallet, took a deep, steadying breath, and hopped out of the car to retrieve my children.

                    *    *    *    *

The next day, I was exhausted.  I had tossed and turned all night under the steady beating of my shoes’ binary hearts directly under my head.  When I actually did sleep, multihued green sandals danced in my head, wrapping themselves too tight around my ankles so that one of my feet actually fell off.  When I woke with a start, checking to make sure I still was a biped, a quick glance at the clock told me the baby would be awake soon, anyway.  I might as well get up and start the coffee.

My husband left for work early, feeling pity for me and the dark circles under my deep red eyes, offering to take the kids to daycare this morning.  I gladly accepted.  After they left, I stormed into the bedroom, my robe billowing at my knees, and yanked the wretched box from behind the dust bunnies.

But the box.  The box was so beautiful, a deep, shiny red with a bold, white font, pronouncing the name of a man who was known by any female across the country capable of speaking.  I gathered my resolve, and slowly lifted the lid.

There they lay, in all of their beauty and charm and appeal.  They beckoned to me, begging to be slipped around my supple toes and luscious heels.  They made me promises of wealth and fame and eternal beauty, if only I would let my foot slip once more along that satin sole.  And they cried a little when I resisted.

My right hand began reaching forward, and the shoes gulped the air in anticipation.  But my left hand held the reason.  It slapped the right back down to my side, ripped the box top from the crumpled bedspread, and encased the shoes once more.  Both hands lay on top, pressing down against the fighting sobs of those all-too-good-to-be-true shoes.

After wrapping the box in a plastic bag and tying the handle tightly—just in case—I dressed quickly in my traditional mommy camouflage and rushed back to the mall.  A series of scenes flashed through my mind, all ending with that bored brat refusing to refund my money.  I damned her in as many creative ways as I could muster, but that didn’t change the fact that I might not be able to return them.  That arrhythmia kicked up again.

In the store, I walked boldly, my head held high, trying to smooth the worry lines from my forehead, and approached the counter.  Ah, if it weren’t my old friend, Old Money’s Daughter, waiting for me there with the exact bored and parental-hating look of my imagination.  I laid the bag, still tied against the gravitational waves pulling at me from inside the box, on the counter.

“Is there something wrong with them?”

This was the question I had been waiting for.  I’d heard stories of these overpriced designer stores refusing to accept returns unless there were problems with the merchandise.  But I had thought it through—sort of—in the car on the way over.

“They’re the wrong size.”

“They fit fine yesterday.”

“They’re much too big.”

She rolled her eyes with a sigh.  “So, you want to exchange them?”

I shook my head and deftly swatted my credit card with the pale blue receipt at her manicured hand. 

A few minutes later, emerging from the store empty handed, my purse one kiloton lighter, I inhaled the sickeningly sweet smell of shopping, laced with sweating drink cups and cheap flowers.  I sneezed twice.  But it felt good.  Atlas had taken his weight back, and I could walk free.

And I vowed never to search for characters in a mall again.
Related Posts with Thumbnails