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Welcome to my self-indulgent location for the stories (good and bad) that I can't prevent myself from writing. All comments and criticisms welcome. I post on Tuesdays and Saturdays.
Showing posts with label prompts. Show all posts
Showing posts with label prompts. Show all posts

Tuesday, September 7, 2010

Real World Writing

No, this has nothing to do with MTV.

Yesterday my writing class took a field trip.  Our instructor told us nothing before our arrival in class as to what we were doing or where we were going or how it related to writing.  So we arrived, expectant, and waited for her announcement.

The assignment (and there was no choice regarding acceptance): (i) go to the Student Union and interview someone you've never met about a time when they got kicked out of somewhere, (ii) write up the details of said story, and (iii) fictionalize it into a story of 300-400 words.  And we only got one shot once the person agreed.  She forbade us from interviewing multiple people.

At the words "you've never met", my adrenaline kicked into overdrive.  I'm not an interviewer.  If I were, I'd be in journalism classes, not fiction.  I'm a lock-myself-up-and-write type, and... other people? What's that?  As we left the classroom, another woman from class and I started discussing, first, how this was crazy and we were already embarrassed :) and then strategies on how to find people who weren't trying to study and would therefore be more willing to talk to us.

I guess it worked—once I swallowed my pride and my fear.  The first person I asked not only was willing to talk to me (sitting in the food court with his half-eaten Pizza Hut bread stick), but he had a great story.  Due to confidentiality restrictions required by the assignment, I can't share it, but I will tell you that I laughed the entire time he relayed his story, and that it involved a Walmart and a ripstik.

Feel free to use your imaginations.

This exercise really emphasized the importance of using the real world (as opposed to the Real World) in writing.  Once I got over my initial apprehension, I realized what a fabulous assignment this is.  I'm still nervous about the writing part—even though the instructor assured us that we in no way had to stay true to the original story—but it's taken me beyond my comfort zone and asked me to do more.  That I sincerely appreciate.


What leaps do you take for your writing?  Have you ever been nervous about taking extra steps to make your work more authentic?  How do you push yourself to include the real world (or the Real World if you love MTV)?

Wednesday, September 1, 2010

Writing Prompts Gone Bad

What do you do when your writing prompt goes wrong? I mean, rebels, takes a gun, and robs a bank, bad.  Or Charles Manson bad.  Or passive-aggressive, why didn't my mother ever love me bad.

(Warning: Info Dump!)

As you know, I'm taking a writing class right now.  We have two pretty nice books: The Making of a Story by Alice LaPlante and Making Shapely Fiction by Jerome Stern.  They each have many good qualities, though I've read fewer than 100 pages total.

Okay, back to the point.

In Stern's book, there's an interlude entitled "Don't Do This: A Short Guide to What Not to Do" (65-76).  They're all obvious things (e.g., don't end you story with "And then the alarm woke me up."), but some of them stuck with me, and I want to force fun stories from them.  I have no intention of writing the typical story that the author is warning against, but twist it into something entertaining.

For example:

Hobos in Space.  This prompt has a lot of potential for a bad MST2K kind of story.  Stern wasn't literally suggesting take a hobo and put him/her in space, but instead discussed the abhorrent mimicking of Samuel Beckett.  That's not my plan.  (And I can't stop hearing the muppets yelling "Pigs In Spaaaaaaace" in my head.)

Bachelor party takes groom-to-be to brothel to find bride hard at work.  Yes, I intentionally used the word "hard".  The point Stern was making here was that many times this is the end of a story.  I really want to write this one from first-discovery on.  Do they still get married?  Does she get mad at him for invading her "office space"?

The Zero-to-Zero story. The MC who never learns anything. Yes, this is horrible and cliché and a disservice to the reader.  But what about the Zero-to-Two story, where the MC kind of gets it, but not really, and inevitably gets it wrong but sort of tried?



Try any good writing prompts lately?  Or any ideas on how to expand upon the prompts above?
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