Welcome

Welcome to my self-indulgent location for the stories (good and bad) that I can't prevent myself from writing. All comments and criticisms welcome. I post on Tuesdays and Saturdays.
Showing posts with label help. Show all posts
Showing posts with label help. Show all posts

Wednesday, May 25, 2011

Scores, Strings, and A Crazy Little Thing Called Memberships

First, remember to sign up for the What's the Score Blogfest for June 1st. List songs you'd like to be in the soundtrack to your WIP, and win prizes just for participating. Click above or on the right for more details.




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Jessica Bell is organizing the promotion for her upcoming release, STRING BRIDGE. Think you might be interested in getting an ARC and posting a review? Being involved in the Amazon Chart rush? Her Blog Tour? Hope over to Jessica's blog and sign up.

If you missed the trailer:

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For those of you new to my life and woes, there's something you need to know:

I'm a recovering linguist.

This means several things for my writing. First, when I write, I have to focus A LOT on the voice, because I'm still trying to purse the academicese from my writing. Keeping my prose clean of the dry, scientific, observational sentence structures is tough. Seriously.

Another remnant of my linguist days are my society memberships. I'm a member of LSA, SLS, and  AATSEEL. I even freelance as an editor for the publisher of the journal associated with SLS. I'm in deep, folks... at least until I have to renew again in the winter. Then I can let those memberships laps.

But thinking about those has got me thinking about memberships in writerly organizations, and I don't know which are the best for a budding writer on a limited budget. For example, SCBWI is $85 for the first year. I'm sure it's worth it, but that figure about makes me want to faint. Membership in LSA was only $20! I could stay a linguist for four more years and still be able to buy lunch.

Okay, I'm done complaining.  SCBWI offers lots of great services and perks to members. The question is: do I belong there?

Really, that's the problem. I don't know where I belong. I could join SCBWI, but my work straddles YA and adult. Would SCBWI be a good fit for me? What about RWA (at $110)? I don't really consider myself a romance author, though there are strong tones of romance. How about SFWA? Well, a quick look at their website indicates that I'm not eligible, anyway.


So, help me out. What societies are out there for a writer trying to make her way? If you're a member, do you feel you get your money's worth from the dues? How do you make the most of your memberships?

Saturday, April 2, 2011

Balcony (#atozchallenge)

Welcome to my 2nd post on the A-to-Z Blogging Challenge. My challenge, as I have chosen to accept it, is thus: I have asked on my Facebook and Twitter accounts for people to contribute random words beginning with the letter B (as well as C, D, etc.). From Random.org, I have selected one of these words, and will below challenge myself to connect said word to writing.

For the letter B, I received 35 suggestions. Random.org selected number 2: balcony


Balcony

But, soft! what light through yonder window breaks?
It is the east, and Juliet is the sun.
Romeo and Juliet, Act II, Scene II 

Image courtesy of Wiki Commons
The balcony. The high ideal. What we all strive for.

But how often do we reach the perfection of our Juliet? What is perfection anyway?

Perfection is is possible to get near without help. But you can get close. You just need some help from you Montague posse. You know, the cousin that reads for you. The cousin that's a great editor. The friend who supports you unconditionally. The Friar that marries you to your work, but then gives your work a sleeping potion that causes you to kill yourself.

Wait, maybe that last one's a little off...

Anyway, the balcony stands above you. On it sits your novel, your poetry, etc. But you can't get there alone. As much as writing tends to be an lone tasks, in the end, it takes many people to make the work successful.

Who's in your posse? What do those people do to help you reach your ideal?


PS--I am also taking suggestions for the letter E. Got any? Leave them below. Thanks! 

Monday, August 16, 2010

Character Rap Sheet

My dear blogosphery friends,

I need your help.  Through much reflection, a newly received critique, and lessons learned through last week's WriteOnCon, I've come to realize that I need to do great things to improve my characters.  This is hardly a surprising discovery.  I've been slowly moving toward this for some time, and have blogged about it before.

But now I want a complete overhaul of almost every single character.

Yeah, there's one who's interesting and developed (in my not so humble opinion).  Unfortunately, she's second-string, and her deeper involvement in the stories doesn't occur until book 2 :(  Not much help when I'm gutting book 1, is it?

The plan:  I want to create an in-depth questionnaire for myself that I must answer in excruciating detail for every individual who crosses my pages.  I don't care if the character makes a 2-page appearance—well, actually I do, because it means s/he should get cut.  But each character needs to be examined under the bright interrogation lights until they sweat so much I can't read their words on the pages.

I have the following already:

Physical Appearance (eye color, hair color, other defining facial information, height, weight, scars, piercings, tattoos, is their second toe longer or shorter than their big toe? clothing style, hair style, makeup...)
General Historical Information (DoB, DoD (if applicable), education, extra-curricular activities, suspensions, broken bones, hospitalizations, first kiss, first extensive sexual experiences, mother's maiden name, heritage, children, parents...)
Personal Information (left/right handed, allergies, contacts/glasses/20-20, exercise routine or not, favorite color, food preferences, handwriting style...)
Personal Quirks (nervous gestures/ticks, sweaty hands, what do they do when they lie? phobias...)
Other Randomness:
  • What did s/he want to be after growing up?
  • Did s/he have any pets as a child?  Names?
  • Hobbies?  How serious are they?  Past hobbies since abandoned?
  • Favorite iconic figures? (actors, writers, musicians, artists, world politicians, historical figures...)
  • Video game obsessions?
  • City or country or suburbia?
  • Boxers or briefs?
  • Favorite type of music?  Favorite type of fiction or non-fiction? Drama, sitcom, or documentary?
  • Do they drink?  What do they drink?
  • If s/he had a million dollars (or applicable currency)...?
  • Left brained or right brained?
  • Favorite/Worst childhood vacation?
  • Favorite/Worst childhood memory?
  • If s/he could visit anywhere, where would s/he go first?

The problem with the list:  My list so far is a better description of who I am than anything else.  It demonstrates how I think, and not necessarily how my characters think.  The problem, therefore, is that my characters can only grow as much as I allow them to if I stick to this list.  I don't like that.  Not one bit.

(Personal information: type-A control freak...) 

My request to you, dear beloved cyber-friends:  Can you contribute anything to my laundry lists above?  What other questions should I ask my characters?  The randomer the better, folks.  Hit me with your best shot! :)

And thank you!!!

Thursday, July 22, 2010

A Little Advice?

Hello, cyber friends.  I need your advice.

One of my critical readers mentioned that she finds my alternate reality a little difficult to swallow.  That's fair.  The problem is how to explain it.

You see, this alternate reality takes place in the "modern" US, but it's not so modern.  I've got 1000 years of history—not all of which has to be explained, I would say, or not up front—of royal history going back to the days of King Arthur, and a schism in the British royal family that eventually leads to one half taking over in the "new colonies".  I'm not changing a whole lot of the real history (the civil war is pretty feasible; the revolution against the monarchy), but I have to somehow weave this rather huge and important fact into the first couple of chapters.

So, the question is, do I:

A. Throw in general expository information (*yawn*)?

B. Have my main character studying for an exam and reading a textbook (this is where the reader puts down the book or just sets it on fire)?

C. Let my main character et al have a study session for said exam (icky expository dialogue!)?

D. Dear spirits on high, please tell me you have some better suggestions for me?

Thank you for reading this choose your own adventure post.  If you selected A, please turn to page 52.  If you selected B, please turn to page 124.  If you selected C, please shut your computer and never query again.  If you selected D, THANK YOU!
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