Welcome

Welcome to my self-indulgent location for the stories (good and bad) that I can't prevent myself from writing. All comments and criticisms welcome. I post on Tuesdays and Saturdays.
Showing posts with label characterization. Show all posts
Showing posts with label characterization. Show all posts

Friday, September 2, 2011

Review: Entwined

This book has been getting a lot of hype lately, and so when a friend recommended it, I thought, "Sure, why not?" It's got a beautiful cover, which sometimes is enough to suck me in, and the promise of a cute, light fantasy always draws my attention.

Review of Entwined by Heather Dixon

From Goodreads: Azalea is trapped. Just when she should feel that everything is before her . . . beautiful gowns, dashing suitors, balls filled with dancing . . . it's taken away. All of it. 

The Keeper understands. He's trapped, too, held for centuries within the walls of the palace. And so he extends an invitation. 

Every night, Azalea and her eleven sisters may step through the enchanted passage in their room to dance in his silver forest. 

But there is a cost. 

The Keeper likes to keep things. 

Azalea may not realize how tangled she is in his web until it is too late.



This book carries lots of promises: fighting against her entrapment, struggling for freedom. And, yet, I had several problems.

First, I have no idea how old Azalea is. Maybe this isn't the most important complaint, but the expectations a reader has about a character's maturity changes greatly whether the character is 15 or 18. There's a lot of life experience that can be packed into those few years, and so not to give her a specified age--only to state that she's "of age", which isn't defined until well into the story--made me think her about 18 and therefore REALLY immature for her age. Come to find out through some general mental figuring, she probably turned 16 through the course of the story. However, as the oldest of 12, she'd probably still be more mature than she came off.

Second, until about 300 pages into the 470+ page tome, Azalea doesn't WANT anything. She's simply reacting, moving and swaying the current but not trying to GO anywhere. She struggles against her confinement, but she doesn't take any major steps to do much about it. Actually, no, I take that back. The poor girl is confined in mourning and all she wants to do is dance. But what's her goal? Where's she going? Does she want to teach dance at the local girls school? Does she want to do something other than have temporary bits of fun? Not that I can tell. 300 pages in, she finally has a goal, and she starts to work toward an end game, but in the first 60% of the book, her struggle is aimless and meandering. And therefore left me wondering why I was reading it.

Lastly, characterization was lacking. Azalea felt somewhat flat to me, even overshadowed by her next two sisters' personalities. Perhaps it was due to Azalea's lack of goal? I'm not sure. It didn't help that there were 12 sisters all between the ages of 16 and newborn (and, might I say, OW!), their mother, their father, the Prime Minister, Keeper, the love interest, and several other men throughout the story. Sisters melded into one another in my brain, as did the male suitors over time. I can't figure out why she needed 12 sisters, because it made several points in the plot confusing, unless it was to explain the mother's illness (this is not a spoiler; it's in the first chapter). I think, had more attention been focused on who Azalea was and what she wanted instead of trying to juggle dozens and dozens of characters, this would have been a richer read.

With all this complaining, I must say that Heather Dixon creates a beautiful world with well described imagery that sucks the reader in. While I wondered several times why things were happening and what I wanted to get from this read, some of the beautiful images captured my imagination. I also enjoyed the slow development of Azalea's romantic interest, though there were times early on when this got lost because he would disappear (through understandable circumstances within the story) for close to a hundred pages at a time. In fact, her romantic interest was probably my favorite character of all. Maybe he should have his own book :)

Recommendation: Light, summer read, but if you've got something else you'd rather read, stick to your instincts.

Have you read Entwined? What did you think?

Friday, June 24, 2011

Getting to Know Your Characters Blogfest


Welcome to my entry for the Getting to Know Your Characters Blogfest, hosted by Elizabeth Mueller and Jeannie Campbell. Thanks to both of them for hosting and the great idea behind it.

Rules: Pretend you are your MC and answer all three of the following questions.

Preface: (by Rosie)
Anabelle fought me on this. She did not want to answer these questions, and she didn’t want to feel psychoanalyzed. She just wanted to get on with her life and pretend like everything was normal instead of talking about fears and accomplishments and regret. I hope I’ve persuaded her, and she’s not jerking me around here.

Name: Anabelle Michelle Lindsky
Age: 19

Question 1: What is your greatest fear? 
Being alone and being abandoned. In my life, I only have two people, my mother Betsy and my best friend Lily. My father died when I was a baby, or maybe before I was born—my mother’s never been very clear on the matter, and I can’t ask her about it because it’s too hard for her to talk about. I see the pain she goes through every day after having the love of her life snatched away from her, and I know I can’t endure what she does. I try not to let people into my life, though that got turned on its ear and I’ve had no choice. All I can hope is that I withstand the coming events without losing my loved ones.

Question 2: What is your biggest accomplishment?
Ha! Okay. This is great. Lily and I got to start wearing bras in fourth grade, whether there was anything to hold in place or not. Nothing was more important than wearing one, at least among the girls. The boys made fun, of course, because that’s what boys do. And there was this guy, Lionel Davis. He told all the other boys that I had let him see my bra during recess. The next day a bunch of boys from our class cornered me on the way outside after lunch, asking to see my bra. I sucker punched one in the gut, and refused. Of course, if Lionel had gotten to see it, why couldn’t they? I ran away.

No, that’s not the accomplishment. Hold on!

The next day I was so angry. The boys kept teasing me, loud enough for the teacher to shush them. I wanted to die, I was so embarrassed. At lunch, I found a pack of Hostess cupcakes in my lunch, and felt the peck of inspiration, and then made the fateful mistake of whispering the idea to Lily. She found it so hilarious that when I hesitated, she dared me to do it. “What?” she asked, “Are you chicken?”

Lionel sat two tables away. I stood, a cupcake in each hand behind my back, and marched over. I told him to get up, that I had something to show him, which inspired lots of ooooohhs and aaaahs from both the girls’ and boys’ tables. The girls behind me could see what I had in my hands, but the boys couldn’t. Lionel stood, a huge grin on his face. In retrospect, he probably had a crush on me, but it wouldn’t last long. When he faced me, I shoved each of the cupcakes against his chest, smearing brown cake all over his white polo shirt. I mounded the cupcakes as best I could and stood back. “Looks like you need your own bra,” I said, “so quit trying to look at mine.”

I got suspended for three days. My mom wouldn’t talk to me for days without yelling. She had to take off work one day because she couldn’t afford a babysitter. I felt horrible for disappointing her, but something had to be done.

On the other hand, that was the first dare I’ve ever taken from Lily. I’ve never refused a dare since. I just try to make sure my dares don’t affect my mom the way the first did.

Question 3: What is your biggest regret?
This is hard one to answer because I have quite a few. I regret not using magic on Lionel Davis to make those brown cupcake mounds stick, because they fell off before the principal arrived. I regret going to prom with Sammy Gilespie because of his grabby fingers and post-prom expectations. I regret turning James Bunnell down when he asked me to prom because Lily had wanted him to ask her (but so had I, and then neither of us went with him).

But, I guess if I have to pick just one, my biggest regret would be not enjoying time with my mom as much as I should. I love my mom, of course, but when I was in high school I didn’t think it was cool to hang out with her. Now that I’m in college, I don’t see her much even though I live at home. I just wish I’d appreciated my time with her before my life turned upside down.


Don't forget to check out the other entries in the Blogfest. Go to Elizabeth Mueller's blog for a list of all the participants.

What about you? What are your characters' biggest fears, accomplishments, or regrets?

Saturday, June 4, 2011

Sex/Gender in the Writing World

By now, you've probably seen it--the article in Jezebel about V. S. Naipaul's comment, or the one in the NYT, which mention the man's comment that he can detect the gender of a writer before he finished the second paragraph. In response, if you still haven't seen this, there's also the quiz hosted by the Guardian so you can see if you're as "cool" as Mr. V. S.

I'm thinking one of those initials is a tad off.

Naipaul commented that this knowledge is based on how he (mis)understands women, because they aren't "Masters of their own house" and sentimental, and thus will never reach his personal greatness.

Anyone feel like boycotting yet? I have some ideas about what he can do with that personal greatness....

Of course I think he's wrong. In fact, I tried much too hard to look for these silly indicators when I took the Guardian's quiz, and only got 5 of 10 correct--which, if thrown into a probability meter, means that I have mastered the art of random guessing and no more. At least I've got that going for me.

Every writer has his/her own voice, which may lean toward the sentimental or the... what's the opposite of sentimental in this context? Analytical? Anyway, Each writer has her/his own leanings in how they want to narrate a story. Each voice is unique, with different levels of sentimentality v. the-opposite-of-sentimentality.


What do you think? Without foreknowledge, do you think you could tell the difference between men's and women's writing? Do you even care enough to try?

I wonder, however, how much our own experience and the societal limitations of our genders play into our writing. I only bring this up because I'm struggling with male-male dialogue. Frankly, and this shouldn't surprise you, I've never been involved in a conversation that only involved men. How could I? I'm not one. I pondered this on Facebook about two weeks ago. Male buddies I haven't heard from in years stumbled from the woodwork to add their 2+ cents (really, their words were worth more than measly pennies). Of course, they're all different, too, so the answers conflicted, sort of. And perhaps I came out a little more confused than when I began.

So, despite the sexism that prompted me to write this, do you think our genders and the social "restrictions" associated with them affect your work? How do you get around it? What do you do to make your characters' conversations authentic, even if your own gender isn't present for said chit-chat?

Monday, April 25, 2011

Usual Suspects (#atozchallenge)

PS (in this case, pre-script)--My Mondays and Wednesdays have me running around without good internet access all day until 9pm EST (US). I'll get back to you, but it might be late tonight. 

Today's post is a little different from my other 25 for the A-to-Z Blogging Challenge, because I'm trying to do double duty. I know, I know. Shame on me. Maybe I'm cheating a little, but I don't think so. Maybe it's more like positive time management :)

Anyway, today is U for the A-to-Z Challenge.

It's also the Now Starring... Blogfest.


So, today, I give you my Usual Suspects.

Courtesy of Wiki Commons
Here's my ideal cast of Fighting Fate, my work in progress. These are only the major players for Book 1. Anyone else I'll have to save for another time.

Anabelle Lindsky, played by Emma Roberts
Anabelle, 19, is a lively girl, impulsive and playful. Emma Roberts physically looks the most like how I picture Anabelle in my mind. I'm not positive I've ever seen Roberts on screen, so I can't say much about her acting. She just needs a pair of blue contacts.

Prince Marcus, played by Chace Crawford.
Marcus, 21, has little interest in what the royal family wants from him. He's rebellious, but in his own subtle way. Not only does Crawford look like my ideal Marcus, but his attitude and his acting making me think he'd do well.

Admittedly, it was a toss up between Crawford and Zac Efron, but Crawford won out.

Lily Yasukawa, played by Aya Ueto.
Lily is spunky and nuts, and drives Anabelle to do things she wouldn't do of her own accord. She puts up with not nonsense, and it's in your best interest not to lie to her. She has her ways of making you regret it.

Roger McKilthy, played by Jake Gyllenhaal.
Roger is Marcus's bodyguard. Serious and stoic, and, well, hot. Yup. Roger's muscle and hotness, and I can't think of anyone better than Gyllenhaal to do that. Oh, yeah, he's a good actor, too :)

Betsy Lindsky, played by Charisma Carpenter.
Anabelle's mother is beautiful and spunky. Who better than Carpenter to play that role?

Then again, it's hard for me to think of Carpenter as her own age after habitually watching Buffy. To me, even at 41, she's a HS student! But in my WIP, she'd be playing her actual age.

Queen Renee, played by Helena Bonham Carter.
I think Helena Bonham Carter is so incredibly beautiful, even when she's playing an evil Death Eater. The woman has so much poise and charisma, she would be a perfect Queen. 

Eric and Camilla, Archduke and Archduchess, played by Alan Tudyk and Gina Torres.
They have such great chemistry in Firefly and Serenity, and they both fit the bill physically for my mental image, so I'd love it if they could play my Duke and Duchess, too (just in less cowboy-meets-outer-space-type clothing).

Princess Natalie, played by Summer Glau.
Okay, I never watched the Terminator series. My devotion to Glau comes from all things Joss Whedon. Natalie's character is a little crazy, a lot blunt, and just enough off the mainstream that Glau seemed the perfect fit. Plus, Glau's dance experience could come in handy in Book 2. *wink* 

Lady Zoe, played by Amanda Bynes.
Zoe is blonde, beautiful, and voluptuous. Of all the characters I've listed here, she's about the only one who hasn't changed.












Who would you cast for your novel?

Monday, April 18, 2011

Ordinary (#atozchallenge)

Welcome to today's post on the A-to-Z Blogging Challenge. My challenge, as I have chosen to accept it, is thus: I have asked on my Facebook and Twitter accounts for people to contribute random words beginning with today's letter. From Random.org, I have selected one of these words, and will below challenge myself to connect said word to writing.

For the letter O, I received 32 suggestions. Random.org selected number 4: ordinary.


Ordinary

As writers, we want—no, we NEED—our work to be extraordinary. We need to avoid the slush pile and make some agent take notice. We need to catch the eye of a publisher. We need to make the public notice us and buy our book. It calls for lots of footwork, both physical and virtual, to accomplish these tasks.

So, how do we do that? Can we just write about the most extraordinary characters we can think of, put them in the craziest situations that come to mind, make the writing as flamboyant as possible, and hope that we get someone's attention?

Am I alone here in thinking "no"?

Sometimes the best writing is the simplest.

Sometimes the most compelling characters are the ones who seem the most ordinary.

Why is that? Why is it easier for me to relate to some lazy high school girl who makes the teachers think she's smart when all she does is watch TV and read for fun when she goes home, or hangs out with her friends? *cough* Because I've been (something) like that. This doesn't mean that I can't relate to a forty-something man, or a five-year old who's never left a room (who's read that?), or an eighty-year-old dementia patient. It's more like I can't relate as easily to the five-legged superhero who always wins and gets the girl/guy and has super flame-throwing vision and...

You get the idea.

The best hero is the anti-hero. Jane Doe, with all her faults and quirks and the little things that make her human.

What kinds of faults do you give your characters? If you write genre fiction and your characters aren't 100% ordinary, how do you make them feel ordinary to the reader?

Monday, April 11, 2011

Icicle (#atozchallenge)

Welcome to today's post on the A-to-Z Blogging Challenge. My challenge, as I have chosen to accept it, is thus: I have asked on my Facebook and Twitter accounts for people to contribute random words beginning with today's letter. From Random.org, I have selected one of these words, and will below challenge myself to connect said word to writing.

For the letter I, I received 52 suggestions. Random.org selected number 4: icicle.

PS--My Mondays and Wednesdays have me running around without good internet access all day until 9pm EST (US). I'll get back to you, but it might be late tonight.


Icicle

I'm not a huge fan of actions movies, so I have to give a little credit for this post to my awesome husband. This morning I said, "My I word is icicle. What on earth am I going to write about?" To which he replied, "How about stabbing someone with an icicle, like in Die Hard 2?" (Link goes to YouTube. Watch at your own risk.)

Okay, while I do have my roots in horror movies, I don't really want to talk about stabbing people with icicles. But let's talk about the context of the situation in which the icicle became necessary.

Death is imminent. A man hovers over the MC, his knife inching closer and closer to our beloved hero's throat, held off only by our hero's strength. MC notices icicles hanging nearby. And ingenuity and creativity do the rest, thus saving the day and killing the bad guy.

Like how I skimmed over the details? You could be reading this on your lunch break. I don't want to make you sick!

Connect this to Friday's post (just a little). We've got our MC in imminent danger, the game-changing situation, death at the doorstep and all that tension-building jazzy goodness. Our poor hero has been stripped of everything, and the only reason we know he won't die is because it's an action flick from 1990, and the hero can't die (or how else could they have made Die Hard 3?). But you still worry. Maybe all that talk about the next installment was fluff. Maybe they said those things to make you think the hero wouldn't die. But... but...

Tension.

Luckily, in terms of creating that tension, we're not writing 1990s screenplays (well, I'm not, anyway). We aren't tied to keeping our characters alive, and our readers know that. The MC's hand could slip, and that knife could... (well, I still don't want to make you sick) ...hurt him/her.

My point? (no pun intended) Make your characters sweat. Put them in impossible situations. Maybe they won't get out. Is that such a bad thing? No always.

What's the worst situation you've put your characters into? Have you given them the ability/abilities to get themselves out? Or do you just like to see them squirm?

Also, taking suggestions today for the letter O. Have some? Leave them below. Thanks!

Friday, April 8, 2011

Gremlins (#atozchallenge)

Welcome to today's post on the A-to-Z Blogging Challenge. My challenge, as I have chosen to accept it, is thus: I have asked on my Facebook and Twitter accounts for people to contribute random words beginning with today's letter. From Random.org, I have selected one of these words, and will below challenge myself to connect said word to writing.

For the letter G, I received 50 suggestions. Random.org selected number 11: gremlins.


Gremlins

Cute creatures by day. Feed them after midnight, and you have destructive monsters on your hands. No, I'm not talking about my future children. Today we're talking about that fabulous 80s phenomenon: gremlins.

Brain child of Chris Columbus, working with Steven Spielberg, this film stole my heart as a kid. It was the perfect combination of cute/lovable and scary. It made want my very own plush Gizmo doll (though I never got one). In terms of marketing, it held its own in a time of ET action figures and the dwindling of Star Wars sales.

Okay, so enough waxing on with capitalist nostalgia. What's my point?

What's one reason why Gremlins became so successful? It's in the details of the character. In a sweeping generalization, I'm going to assume that we all remember Gizmo and the Dr. Hyde monsters they turn into when you feed them too late or expose them to bright light. But we don't remember the humans. Or at least I don't. (Granted I was pretty young.) Why? The humans were a means of bringing out fuzzy friends and their evil scaly twins to life, but the movie (and subsequent sequels) wasn't about the humans.

Let's examine Gizmo for a moment. Furry and adorable, it's hard not to instantly love this tiny creature. So, we've got empathy. Add in the danger of the already scaly midnight snackers, plus the fear that Gizmo might accidentally munch on something himself, get wet (again), or see too much light, and you've got continual rising tension and a character that everyone can identify with.

Thus, insta-blockbuster.

Yeah, yeah, yeah, it helps to have the financial backing of Spielberg and Warner Bros, too....

Anyway, I'm not saying we should all run out and write about tiny, fluffy mammals, but there are a few things to learned regarding characters here.

First, details. Give your character quirks and fears, like Superman with his Kryptonite. Somehow let us know that (random character) Bill used to go by Will, but changed his name after finally moving out of his grandmother's abusive house, since she always called him Willy.

But most importantly, make the reader LIKE the character first. If the reader doesn't care, it's an instant FAIL.

Next, generate conflict. (Bill's grandmother gets sick and can no longer take care of herself, and Bill can't afford to put her in a nursing home). Put them in danger (spill some water and feed the little buggers after midnight).

Finally, give them the opportunity to fail. Nothing spells tension like the thought of your character losing everything. (Bill takes too many days off work to care for Granny, and ends up losing his job. His wife moves in with her mother because she can't stand Granny, either. The house gets repossessed. Does he take care of himself first or Granny?)

How do you make your characters likable? And how do you torture them afterward? :)


PS--Today I'm taking suggestions for K. Have some? Leave them below. 

Tuesday, April 5, 2011

Doofus (#atozchallenge)

Welcome to today's post on the A-to-Z Blogging Challenge. My challenge, as I have chosen to accept it, is thus: I have asked on my Facebook and Twitter accounts for people to contribute random words beginning with today's letter. From Random.org, I have selected one of these words, and will below challenge myself to connect said word to writing.



For the letter D, I received 61 suggestions. Random.org selected number 44: doofus.


Doofus

Okay, yeah. This is what happens when I let my friends pick my words for me. There were several words that would have been difficult but interesting (e.g., dogfish, Djibouti, damask, diplodocus, duodenum, etc.), but I get the word that means "stupid person".

Ah, Random.org, how you taunt me!

Then again, when I think about it more, perhaps this is a good word. In fact, perhaps it's even a great word. How many of us have characters that are too clever, while the dim-witted one is around for comic relief alone? Are our main characters the ones who always figure out the secret, put the pieces of the puzzle together?

Well, one reason, I suppose, would be that we could end up with our characters sitting around, popping Bubble Yum**, and staring at the wall. That wouldn't be much fun to read, would it?

**Bubble Yum was an unselected suggestion for B.

But then there are a few great novels and short stories in which the main character isn't known or loved for his/her cleverness. The Sound and the Fury comes to mind. Why aren't there more, though? Is it because it's easier to write about what we know, and being clever writers ourselves, we don't think through that lens? Or because we need to progress our stories, and so our characters take the clues we hand them and link them together?

I don't exactly have any answers for you. It's really just something to think about.

As for my writing, I can't say I have a character I would consider a doofus, per se. I've got some pretty dense characters, but they're not stupid. Of course, now that I'm writing this, I feel the need to challenge myself and see what I can do with a doofus character in an MC role.

Do you have characters that fall into the "doofus" category? What's their purpose in your narrative?


Also, today I'm taking suggestions for the letter H. Have any? Leave some below. Thanks!

________________

On an COMPLETELY UNRELATED note, check out this trailer for India Drummond's new book Ordinary Angels, released yesterday. CONGRATULATIONS, India!!


Also, check out her blog here. India's also a part of the A-to-Z Challenge.

Friday, April 1, 2011

Acorn (#atozchallenge)

Welcome to my 1st post on the A-to-Z Blogging Challenge. My challenge, as I have chosen to accept it, is thus: I have asked on my Facebook and Twitter accounts for people to contribute random words beginning with the letter A (as well as B, C, etc.). From Random.org, I have selected one of these words, and will below challenge myself to connect said word to writing.

For the letter A, I received 46 suggestions. Random.org selected number 33: Acorn.


Acorn

Image courtesy of Wiki Commons
I love squirrels.

I realize that I am in the minority of the population with this, as they rummage through planters, dig holes in the middle of your lawn, and potentially drive your pets (dogs, cats, iguanas, etc.) berserk with their romping and their erratic tail-flipping.

But just take a moment to consider the life of a squirrel. A squirrel's average life span is six years (source), and so they've got jam pack their lives with food and fun (and probably work on that whole continuation-of-the-species schtick, but that's beside the point).

Now, squirrels can't eat cellulose (i.e., the green in plant leaves), and need food full of protein, fat, and carbs (just like us, unless you're on Atkins) (source). Squirrels spend the summer months storing food so they can survive the winter, burying several sources of food--among them, the acorn.

Why's the acorn so great? As any seed, it's high in protein, but it's also high in fat to help keep those little rodents warm through the winter. It's packed with all the good stuff squirrels need for endurance through the cold, winter months. An acorn has all the vital goodness a squirrels needs in order to be successful in its main purpose--survival.

And this relates to writing... How?

Image courtesy of Wiki Commons
Let's talk about the acorn as a story idea.

What's necessary in that little acorn to make a successful story? Well developed characters (the main building block, i.e., the protein) and a plot with continual rising tension (the slow-burning endurance, i.e., the fat).


This is getting a little foodie. Anyone else hungry?

This tiny little seed with a cute hat can sustain the squirrel for a long time. A good idea, rich with character and plotty goodness, can lead the writer to beautiful novel, short story, poem, or even song lyrics. The build blocks are there. It's up to the writer to use them.

Sure, writing takes so much more than the seed to be successful. It takes the endurance to get through the winter (drafting, editing, honing style, discovering voice) and the early spring (querying) to get to the beautiful summer. With that endurance, which can come with the writer's belief in the strength of that little acorn, and faith in one's self, we can all make it to summer.


What do you do with your acorns? Do you have an ideas file? A notebook in your back pocket? A hole in the tree in your backyard where you hide them?

PS--I am also taking suggestions for the letter D. Got any? Leave them below. Thanks!

Monday, August 30, 2010

The Google Goddess

Many of you already know the wonderful and esteemed Cruella Collett over at The Giraffability of Digressions.  If you don't, she is definitely a woman worth knowing, and for a vast number of reasons beyond the one below.

In response to my post yesterday, Cruella went online and found an electronic version of my sought-after model who exemplifies one of my characters.  She found it on the Everything Fabulous blog (direct link).  I can't imagine how long it took her, and I'm not going to ask, but the fact that she took even five minutes to look for this (after my hour—I think I'm Google-impaired) means the world to me.  Thank you, Cruella!

Anyway, here you go folks.  She's not my MC, and you don't even meet her until WiP#2, but I can't tell you how excited I am to have found her :)


Happy Monday, everyone! :)

Sunday, August 29, 2010

The Weekend Calls

This is officially my last weekend of summer before classes begin on Monday.  Many of our friends have returned, and so people are excited to get together before the grind starts in earnest.

In other news, I still have no good formula for balance.  I'm working on it.  Google Reader is helping, but it feels so impersonal without the cool layouts.

What else?  Oh!  My totally awesomely amazing friend Rory, who you may remember from the wedding we were in a few weeks ago, sent me a page from her Vanity Fair.  While we were waiting to have our hair and makeup done, she and I flipped through a couple of magazines, chatting about this and that.  She was in mid-sentence, but my enthusiasm got the better of me, and I twisted the magazine around to show her an ad and said, "This looks exactly like one of my characters."  Then, distracted by, oh, the WEDDING, I forgot about it until I got home.  When I tried to find a picture of the same woman online, it was obviously impossible since I didn't know her name or even the ad she was in, only that it was in the Vanity Fair with Lady Gaga on the cover.  In a moment of desperation, I emailed Rory and asked her to mail me the picture.  And she did!!  Thank you, Rory! Rawr! :)

PS—Having the ad in hand doesn't make it any easier to find it online to share with you.  If you care, it's from the Lady Gaga issue.  It's a Banana Republic ad on the left-hand page.  The woman in the ad is holding a black umbrella and is wearing a gray sweater and pink blouse.  She's a beautiful redhead with freckles and blue eyes. If you find an electronic copy of the ad, PLEASE let me know.  I keep my pictures together in a file on my computer for when I'm not at home, and I don't know when I'll be able to use a scanner next.

In other writing-related happenings, I recently joined an online critique group and it's awesome.  I've not only gotten some fabulous feedback, but I've had a chance to review other people's work and learn from their positives and negatives.  The folks are great, balancing the critiques with the good and the needs-improving.  Luck is what I can attribute to it.

One of the "events" from the group is finishing our word-count goals by the end of September.  This should prove interesting.  I have the original MS, which is close to 150K, but I'm changing a few things in the plot and rearranging certain events, and hoping to end up around 90-100K before more editing and cutting.  I'm currently at 34K, but since I'm reusing some of the old MS, I do have less than 66K to go in a month.  I'm thinking about adding a ticker to the sidebar, but I'm not sure where to get one.  Any suggestions?

How about you?  Any great writing news to share?

Thursday, August 19, 2010

Character Rap Sheet Redux

So many of you gave awesome suggestions on how I could improve my character interview process on Monday's post.  Thank you!  If I haven't mentioned it recently, you guys ROCK!

I decided that, since I don't want to be selfish and keep this to myself, that I would report this, updated with everyone's suggestions.  Feel free to use this any time, share with your friends, etc.  Also, if you have more suggestions, please leave a note in the comments, and I will continuously update the post at large.


Note A: Before conducting this interview, one suggestion was to push the character's buttons to the point of no return.  Piss them off and then push for information, and they'll be more likely to be bluntly honest.

Note B: If you're finding it difficult to discover this information, another suggestion was to take an idea and write (perhaps a blog post) about it in your character's own words.  For an example, click here.


Everything You Ever Wanted (and Didn't Want) to Know About Your Characters

Physical Appearance (eye color, hair color, other defining facial information, height, weight, scars, piercings, tattoos, is their second toe longer or shorter than their big toe? clothing style, hair style, makeup...)

General Historical Information (DoB, DoD (if applicable), education, extra-curricular activities, suspensions, broken bones, hospitalizations, first kiss, first extensive sexual experiences, mother's maiden name, heritage, children, parents...)

Personal Information (left/right handed, allergies, contacts/glasses/20-20, exercise routine or not, favorite color, food preferences, handwriting style, artistic tendencies or none? zodiac sign...)

Personal Quirks (nervous gestures/ticks, sweaty hands, what do they do when they lie? phobias?  pet peeves?  addictive behaviors...)

Turn Ons/Turn Offs (favorite smells, repulsive smells,

Other Randomness:
  • What did s/he want to be after growing up?
  • Did s/he have any pets as a child?  Names?
  • Hobbies?  How serious are they?  Past hobbies since abandoned?
  • Favorite iconic figures? (actors, writers, musicians, artists, world politicians, historical figures...)
  • Video game obsessions?
  • City or country or suburbia?
  • Boxers or briefs?
  • Favorite type of music?  Favorite type of fiction or non-fiction? Drama, sitcom, or documentary?
  • Do they drink?  What do they drink?
  • If s/he had a million dollars (or applicable currency)...?
  • Left brained or right brained?
  • Favorite/Worst childhood vacation?
  • Favorite/Worst childhood memory?
  • If s/he could visit anywhere, where would s/he go first?
  • Stance on social issues (whales/environment/water/polar bears/etc.)?
  • Introvert or extrovert?
  • How does s/he react around children?
  • Act or React?
  • Fight or flight?
  • Do they hold grudges or let them go?
  • What songs are important to them and why?
  • How do they see the future?
  • What inspired him/her?
  • How do other people perceive him/her?
  • Cats or dogs?
  • Who do they look up to and why?

Monday, August 16, 2010

Character Rap Sheet

My dear blogosphery friends,

I need your help.  Through much reflection, a newly received critique, and lessons learned through last week's WriteOnCon, I've come to realize that I need to do great things to improve my characters.  This is hardly a surprising discovery.  I've been slowly moving toward this for some time, and have blogged about it before.

But now I want a complete overhaul of almost every single character.

Yeah, there's one who's interesting and developed (in my not so humble opinion).  Unfortunately, she's second-string, and her deeper involvement in the stories doesn't occur until book 2 :(  Not much help when I'm gutting book 1, is it?

The plan:  I want to create an in-depth questionnaire for myself that I must answer in excruciating detail for every individual who crosses my pages.  I don't care if the character makes a 2-page appearance—well, actually I do, because it means s/he should get cut.  But each character needs to be examined under the bright interrogation lights until they sweat so much I can't read their words on the pages.

I have the following already:

Physical Appearance (eye color, hair color, other defining facial information, height, weight, scars, piercings, tattoos, is their second toe longer or shorter than their big toe? clothing style, hair style, makeup...)
General Historical Information (DoB, DoD (if applicable), education, extra-curricular activities, suspensions, broken bones, hospitalizations, first kiss, first extensive sexual experiences, mother's maiden name, heritage, children, parents...)
Personal Information (left/right handed, allergies, contacts/glasses/20-20, exercise routine or not, favorite color, food preferences, handwriting style...)
Personal Quirks (nervous gestures/ticks, sweaty hands, what do they do when they lie? phobias...)
Other Randomness:
  • What did s/he want to be after growing up?
  • Did s/he have any pets as a child?  Names?
  • Hobbies?  How serious are they?  Past hobbies since abandoned?
  • Favorite iconic figures? (actors, writers, musicians, artists, world politicians, historical figures...)
  • Video game obsessions?
  • City or country or suburbia?
  • Boxers or briefs?
  • Favorite type of music?  Favorite type of fiction or non-fiction? Drama, sitcom, or documentary?
  • Do they drink?  What do they drink?
  • If s/he had a million dollars (or applicable currency)...?
  • Left brained or right brained?
  • Favorite/Worst childhood vacation?
  • Favorite/Worst childhood memory?
  • If s/he could visit anywhere, where would s/he go first?

The problem with the list:  My list so far is a better description of who I am than anything else.  It demonstrates how I think, and not necessarily how my characters think.  The problem, therefore, is that my characters can only grow as much as I allow them to if I stick to this list.  I don't like that.  Not one bit.

(Personal information: type-A control freak...) 

My request to you, dear beloved cyber-friends:  Can you contribute anything to my laundry lists above?  What other questions should I ask my characters?  The randomer the better, folks.  Hit me with your best shot! :)

And thank you!!!

Monday, July 26, 2010

For the Love of Character...

Based on a particular comment on yesterday's post (i.e., I must be crazy if I'm a writer—which is quite observant), I've decided not to hide my weirdness.  There's no need to pretend I'm normal or mature. 

Though I doubt I've hidden it from you until now.

(This is not actually the point to this post.  The digression stops here, folks!  Insert poorly written segue...)

What is a story without strong characters?  There are many answers to this question, but the one that's vital is, it's unpublishable.  This is hardly a new concept.  Characters are bread and butter in this industry.  A great story can be written with little conflict (though I wouldn't recommend it), but a story is nothing without its people.

Tying all of this together now, my crazy brain likes to dream in wild ways that are so far from reality that the Milky Way looks no bigger than it's candy bar counterpart.  In this fantasy anti-reality, my current WiP comes complete with a soundtrack and full cast.  Well, not full, but close.  And by cast I mean actual contemporary actors who would play a certain role well.

Now we understand why I write fantasy—nothing in my head is real :)

This morning on my walk to class I got to thinking about my cast.  I'm a little embarrassed to tell you who's in it, but there are some definite highlights from Buffy the Vampire Slayer and Gossip Girl (ten points to whoever can identify the actor in both).  One actor I've never even seen act, but only seen him in commercials for movies and television, or on the cover of something akin to Teen Beat while waiting to pay for my groceries. 

While trying to keep my balance on the worn, slick brick path through the woods on campus, I had a startling, painful, depressing realization.  I have no actor for my MC.  The story's told in first person.  My MC should be the person we know the best.  So why couldn't I pick an actor to play her?

Okay, there are two possible answers to this.  The optimistic one: I don't watch a lot of teeny-bopper TV and movies (Gossip Girl aside) and therefore don't know of a good actor to play this 19 yr old girl.

And the pessimistic one: she's not developed enough.

I just about needed a triple bypass after that thought.

I've been nervous about this ever since I received some preliminary notes that said the reader didn't get a strong sense of who my MC was and that she was a little too perfect.  I mentioned this to another reader, who responded that my MC is a normal teenage girl thrown into an awkward situation, and acts more or less appropriately.  I've been trying to rough up my MC a bit during this round of editing, but I'm questioning everything.  Is it enough?  Is her response here too predictable or not predictable enough?  Should she be good at this task on her first try or not?  Is she being honest enough about this awkward situation, or too honest?

Ack!

Then a fleeting thought raced through my head (crashing desperately just above my ear, preventing its escape), whispering that there are examples of first person narrators in literature who have little to no personality, and who are merely there to enjoy the boozy partying.  I won't name anything specifically because I wouldn't dare want to imply any comparison between me and said author(s), but it exists.  Do I think it's publishable in today's market?  Hell no.  I have no illusions here.

I really wish that thought had flown right out of my ear before I could hear what it said.  Hmph.  It shouldn't have been talking on its cell phone....

Okay, enough rambling from me.  I should get back to destroying my overly perfect, goodie-goodie narrator.


What do you do to further develop your characters?  Do you write diaries or external scenes that should never see the ink of print?  Do you outline or chart different characteristics?  Do you simply listen to the voices in your head? (This may be the only industry where that's not considered unhealthy.)


PS—I want you to know that I'm a member of GGWA (Gossip Girl Watchers Anonymous).  It's been six months since my last viewing.  There's a meeting tonight at 9pm EST/8pm CST.

Sunday, June 27, 2010

Characterization

 I'm currently working on numbers 3 and 5 on the suggestions from My Personal Goat Goddess and there's a minor problem:  I'm getting bored.  It's horrible.  I feel guilty.  I love these characters, even with as much work as they need.  But, in writing the correspondence between A&M or trying to write some events from M's POV, I find myself wanting to yawn.

I have to remind myself that most of this will never be seen by anyone but me, and it's not about forwarding a plot, but simply about who they are.  And who out there is exciting and interesting all the time?  Feel free to raise your hand.  It's definitely not me.

But even with that reminder, I'm finding it hard to stick to the course.  I'm not excited about the introductory letters.  It's helpful (I know!) because it's laying out so much background information that is important to both of them, plus it's doing it in a semi-"active" way.  I've also been trying to skip around a little, hitting some of the landmark letters that get mentioned throughout the story, and those seem to be just as hard, even if they're not quite as boring.

Writing M at 14 when he receives the first letter is difficult because I have never been a fourteen year old boy (and I don't think I liked them much when I was 14).  Maybe I need to spend more time with my nephew...

No one said writing would be easy.  If it were, everyone would do it.  And if everyone did it, then we'd all still be riding horses, fighting dragons, reading by torch-light over a good glass of mead.

But who would make the mead?

How do you handle long tasks that are boring or frustrating?  They all need to get done eventually.  What tips can you share?

Tuesday, June 22, 2010

My Personal Goat Goddess

Dear Laura,
Thank you so much for your initial critique of #1 in my Anabelle series.  Your comments are invaluable, even though you considered them vague.

Love, Rosie



The Highlights:

1) Title (oh, dear God, yes!  This MUUUUST be changed!)

2) more sensible setting

3) more letters (?)

4) flesh out what makes the world different (magic, language) earlier in the story

5) more character development of the main 2
     a) give Anabelle more flaws


Things I need to work out in relation to above:

1) This has already been a struggle.  But, I've also been slacking on it.  I needed the kick in the ass on this one.

2) Write my alternative history of the US (abbreviated, of course).

3) I'm going to have to work out if and where I can add more letters, or portions of them.  And unfortunately I'm not terribly poetic personally, though Marcus is.  I need to really think through some of the ways he would write more of the later ones.

4) Write:
     a) my abbreviated history of the royal family (although, how abbreviated can it be to cover 1000 years?)
     b) my handbook on their religion.  That will also take some work.

5) Yeah, Anabelle needs to be a bit more believable.  I guess I need to work out the balance of how to give her more flaws while she remains the true narrator.  She's a bit stubborn, and I don't think she'll want to admit to her own issues.

Wait, who's in control here?  Me, or her? .......... I suppose it depends on the weather that day.

I also need to find the balance between developing Marcus more and still maintaining some of Anabelle's innocence and idealization of him.  That's a fine line to walk.


The Plan:
1) Write my tweaked US history, my royal family history, and my guide to all things spirit-related.


2) Write more full letters between them.  Even if they never make it into the story, it'll be good for me.


3) Maybe write the story from Marcus's perspective (yeah, I'm stealing this idea from Stephenie Meyers, I'll admit).


4) Brainstorm a better title already!!!

5) I think I probably need a complete overhaul of Chaps 1-7.  And I am NOT allowed to do this until I have accomplished 1-4 above!!!  That will be the hardest part, I think.

6)  And I'm not allowed to even think about starting Zoe's diary!  That's going to be really hard....


Wish me luck!  

And thanks again to Laura.  I'm so glad to know you, and very lucky that you married my friend.  I can't wait for the rest of your comments. 
Related Posts with Thumbnails